For music industry based audio companies, the film/television audio production world is a blip on their financial radar. For years specialty manufacturers, such as Zaxcom and Sound Devices have served us, and served us well. Cross-over companies, such as Fostex, Marantz, and Tascam seem to ebb and flow with product changes. Fostex has had the biggest music industry toe in our proverbial water. The PD-6, EX-12, FR-2TC, DV40, DV824, and PD-606 have had substantial impact on our industry. Marantz continues to provide reliable small format not timecode recorders, and Tascam has garnered mild success with their two-track, timecode chasing, non-linear HD-P2. Well, it seems that Tascam and their parent company TEAC, have suddenly remembered all of those customers who purchased DAP-1 DAT recorders years ago. Tascam is back in the location audio game.
Tascam HS-P82

When considering any product for location recording powering is often forgotten by manufacturers. You may remember Tascam’s proprietary 7 volt battery system in the DAP-1. The connector as well as the batteries were solely used by Tascam. Proof of the lesson learned exists in this recorder which uses a standard 4 pin XLR or AA batteries for power. The HS-P82 has eight mic/line inputs, eight AES inputs, eight AES outputs, and two analog outputs. The tilting touch screen is Zaxcom Deva-esque with the advantage of changing to fit your sight line. Only a true sit down with the recorder will inform us of any pitfalls, but this dual compact flash recorder is an exciting addition to our sales line.
Tascam HS-8

Tascam DR-680

Welcome back Tascam. It’s been a while.

Hi Skylor
I would like to know how the file management works on the DR 680.Example in take mode do the unit start on Let say Scene 1 take 001 and increase numerically 002,003 until I change to a new scene and therefore I will be back to Scene 2 take 001?
As well could I record Timecode from a analog to digital converter box into track 8?
Regards
Mario Gabrieli